Board of Directors
LARRY HARVEY, President of the Board
Larry Harvey founded the Burning Man event in 1986 and has overseen its operation ever since. His duties include the design of Burning Man and Black Rock City and the conception and production of the Project's themed art pageants. In May 1998 Larry was invited to Harvard's Second International Conference on the Internet and Society as a panelist for Charles Nesson's discussion "The Internet and Education." Larry has been a guest lecturer at the San Francisco Art Institute, the School of the Chicago Art Institute, the Forum at Grace Cathedral and the Walker Art Center in Minneapolis.
HARLEY K. DUBOIS, Vice President
A founding member of the Burning Man board and the Black Rock Arts Foundation, Harley has over 18 years in project management, art and city planning experience. In Black Rock City she is the City Manager, keeping it's citizens happy and safe. For the Black Rock Arts Foundation she is the liaison between both organizations and chairs the grants committee.
MARIAN GOODELL, Vice President
Marian Goodell is the Manager of Communications and Business for Burning Man. In addition to overseeing government and media relations, she oversees the financial and legal aspects of the event. Marian holds a BA from Goucher College and an MFA in photography from The Academy of Art in San Francisco. Before joining the Burning Man team, she was a project manager for a software-cum-web-development firm producing Ford.com.
RAE RICHMAN, Secretary
Rae Richman has more than twelve years experience providing services to organizations of all sizes, from local nonprofits to Fortune 500 global corporations. Before joining Rockefeller Philanthropy Advisors as their West Coast Manager of Donor Services, she was a consultant with expertise in meeting facilitation, corporate social responsibility, and project management for values-based organizations. Prior to starting her own consultancy, Rae was Senior Manager of Consulting Services at Business for Social Responsibility (BSR), working with Fortune 500 companies to facilitate their stakeholder engagement efforts and assist them in implementing more socially responsible policies and practices. Rae brings to her work a decade of marketing and production experience at entertainment, multimedia and high-tech companies. She received her BA from the University of Virginia.
JOHN MUELLER, Treasurer
John Mueller is an attorney who has been based in the Bay Area for over 30 years. He is a former Chairman of the Board of Directors of Bread & Roses and has supported the arts and entertainment and their healing powers for many, many years. John graduated from Occidental College and UCLA Law School. He is also a member of the local Board of Directors of the Juvenile Diabetes Research Foundation.
DAVID BEST, Director
David Best, a native of San Francisco, began going to the SF Art Institute at the age of six, and has been driven to create ever since. His work walks the fine line of the human experience: accumulated details, an assemblage, parts rendered whole. His work spans many mediums; consistently the ordinary is rendered fantasy. Recognized for the amount of his own energy he invests in his work, David is well-known for the series of Temples he and his crew have built as a part of the Burning Man Project – the intense and varied energy required for their manifestation and the subsequent incendiary release. His pieces can be found in the collections of the SFMOMA, Oakland Museum, and the San Jose Museum of Art.
RACHEL CARPENTER, Director
Rachel Carpenter is Co-Founder and CEO of Cinematrix Interactive Entertainment Systems™ utilizing patented technologies invented by her husband Loren Carpenter. As first anthropologist on the scene, Rachel wrote her Master of Arts thesis on the human experience of this new communications technology, Techno Tribe: The Collaborative Experience of an Interactive Audience Participation Technology, An Ethnography. This builds on her earlier work in education supporting a variety of learning methodologies, including her book, Visual Arts in Education for Teachers, a series of lesson plans integrated to support student learning objectives, commissioned by the State of Washington Superintendant of Public Instruction. As a Black Rock Arts Foundation Board Member, Rachel continues to pursue ways to encourage community projects with arts and education.
FREDDY HAHNE, Director
Freddy is known as Are We Really? around San Francisco, Cyberspace and Merry Prankster circles. Are We Really? and the Krewe of Art Police created large works of art over the past few decades for many Bill Graham Presents shows including the Grateful Dead's Mardi Gras, Chinese New Years and New Years extravaganzas. With a background in Industrial Design, Freddy has represented Cenveo SF/Waller in the Bay Area for over twenty-five years producing advertising, design and marketing print collateral. He attended the first Burning Man at Baker Beach spraining his neck staring up in awe at the Man for a few hours! He has never been the same since. Freddy also serves on the board of the Rex Foundation and the Eyes & Ears Foundation, and is on the advisory board for Craigslist Foundation. You will find him with the Mind Shaft Society on the Playa.
MARK HIGBIE, Director
Mark Higbie, a native of Detroit, Michigan, is the principal of Higbie Visual Partners, a strategic communications firm working with private equity and industrial clients nationally. Mark’s current business focus is communicating the climate crisis. Prior to arriving in California in 1994, Mark worked as a political operative in four national presidential campaigns, and served in two presidential administrations. Since developing his first roll of film in a make-shift darkroom at age eight, Mark has had a passion for image-making that’s led to a series of productions that present the transformative ethos of Burning Man. Mark attended his 11th event in 2006.
ROBIN HYERSTAY, Director
Robin Hyerstay is the Deputy Director - California Programs with Enterprise Community Partner’s Los Angeles office. In this capacity he works with nonprofits, cities and counties to increase the volume of affordable housing production. His skills include organizational development, strategic planning, and all aspects of housing development from conception to completion. Formerly Robin was with The Federal Home Loan Bank of Seattle where he managed a $75 million charitable foundation (Affordable Housing Program) that supported the development of affordable housing. Prior to working with the Affordable Housing Program, Mr. Hyerstay was the asset/liability manager for a $1 billion mortgage-backed securities portfolio for the Bank. He also founded and directed Financial Advisory Services, a subsidiary that managed investment portfolios for small banks in eight Western states.
PHIL LINHARES, Director
Phil was born in Visalia, California in 1939. He then embarked on a distinguished academic and curatorial career: California College of Arts and Crafts, BFA 1961, MFA 1963, Museum Management Institute, UC Berkeley/Getty Fellow, 1988; Director of Exhibitions, San Francisco Art Institute, 1967-1977; Director, Mills College Art Gallery, 1978 - 1990; Chief Curator of Art, The Oakland Museum of California, 1990 to present. Charter Member, Early Ford V-8 Club of America; Member of the Board: American Hot Rod Foundation, Claire Falkenstein Foundation. Resident of Oakland with wife, Sharon, and daughters Regine (17) Celeste & Gabrielle (14), 2 cats and a rabbit and two old Fords.
WILL ROGER PETERSON, Director
Will Roger Peterson is from Rochester, New York, where he received a BFA and MFA from the Rochester Institute of Technology. Will later taught photography at the same institution, and as a teacher he attracted a group of devoted students. The title of his course, "In Search Of the Mystical Image," expresses the character of his work. Will is working with Nevada Relations and Properties for Black Rock City LLC. He is currently the President of Friends of the Black Rock/High Rock, is an appointee to the Sierra Front/Western Great Basin Resource Advisory Council (RAC) representing dispersed recreation, and is the chairman of the RAC subcommittee for the Black Rock/High Rock/Emigrant Trails National Conservation Area.
CRIMSON ROSE, Director
Crimson Rose is the Administrative Director and Pyrotechnic Performance Director for Burning Man. She oversees ticket sales, merchandise, registration and office procedures. Crimson helps people create art and destroy it safely. This includes the famed Burn of the Man, the monthly Beach Burns in San Francisco, and the Fire Conclave, which surrounds the man with 200 fire performers on the night of the Burn. Prior to this position, Crimson majored in theater and worked as a fine art model and dancer for 27 years.
LESLIE PRITCHETT, Director
Leslie brings to the Foundation a strong background in business management and communications. She earned her MBA from Columbia University in 1987. She worked for American Express for five years, then moved on to run her own marketing consulting company in New York City. A change in focus took her to Hong Kong, where she began the raising of two boys. She came back to the business world as a managing partner of Digital Pond, a digital imaging company, and then worked in a consulting capacity with a number of other start-up companies. She brings to the Foundation her skills, enthusiasm and hopes for creating positive change through art. Leslie served as the Executive Director of the Foundation for two and a half years, from late 2004 though mid- 2007.
Staff:
MELISSA ALEXANDER, Executive Director
Prior to joining the foundation in May, 2007 Melissa spent 18 years at the Exploratorium where she worked with renowned artists and scientists from all over the world. She has helped from install a beehive with artist Mark Thompson; facilitated monks depicting the history of Buddhism entering Tibet out of Yak butter; working with adult ESL students to create a personal exhibition examining their memory and culture; supporting the fabrication of art cars; hosting Lowriders, bicycle messengers, Trekkies, dance groups, artists working with wastewater and garbage; and overseen the creation of “Turbulent Landscapes,” at the Exploratorium a phenomenon-based art exhibition of 30 new works by 18 artists that traveled the United States and Europe; hung an opera set from the rafters of the museum; even programmed a public event involving a ton of raw bread dough. In 2000 the exhibition she conceived of and directed called revealing bodies was National recognition with an Award for Excellence from the American Association of Museums.